REQUEST A QUOTE See the gear

A place dedicated to music creation, in the middle of the woods on the edge of the Lubéron. 24 simultaneous recording channels, five rooms, a custom-built acoustic.

Recording, mixing and music video in Provence

A studio built to measure

The Studio Eole is a place dedicated to music and video creation and production, driven by the musician and producer Ben Rando.

This space, designed in collaboration with Absolute DDD©, has a unique acoustic and high-end gear offering 24 simultaneous recording channels. Its layout and warm ambiance make it an ideal setting for shooting music videos and recording albums.

Located near the village of Rognes on the edge of the Lubéron, the Studio Eole is 20 min from Aix-en-Provence, 35 min from Aix-TGV station and 45 minutes from Marseille-Provence airport.

Taught by the best

Chris Lord-AlgeJames Brown, The Rolling Stones, Tina Turner, Aerosmith…
Leslie BrathwaiteSnoop Dogg, Erykah Badu, Beyoncé, Rihanna…
Shawn EverettMiley Cyrus, Adele, John Legend…
24simultaneous channels
5recording spaces
40 m²main room
20′from Aix-en-Provence

Recording studio Eole Recording booth Recording studio control room

The layout

  • 40 m² main roomWooden ambiance, ideal for full line-ups.
  • 20 m² drum roomFits a drum kit or a group of instruments.
  • Vocal boothTo isolate an instrument, a voice or an amp.
  • Amp boothFull isolation for guitar and bass amps.
  • 20 m² control roomComfortable mixing, also used as a fifth recording space.
Studio Eole floor plan

Let’s talk about your project

Album recording, video capture, mixing — write to us for pricing and availability.

Pricing and reservation
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole
Session at Studio Eole